This time, we’re going to talk about How To Blend Alcohol Markers With Blender. There is a lot of information about how to blend alcohol markers with blender on the internet, of course. Social media are getting better and better quickly, which makes it easier for us to learn new things.
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14 Shocking Facts About How To Blend Alcohol Markers With Blender | how to blend alcohol markers with blender
- You can use most brand’s color codes to help identify which pens should be considered darker and lighter. Information on the Copic specific codes can be found in our getting started with Copic markers article, and other pens have their own systems. If in doubt, swatch out your colors to see the order. - Source: Internet
- Keep it wet, you will know that to get a smooth single color you do a lot of overlapping. You keep a lot of ink flowing on the page. It’s the same process here, but the overlapping you are doing anyway because that’s how you get the blend. So the key is to work quickly and treat the transitions between colors just as you would if you were overlapping with the same marker. - Source: Internet
- To achieve the best result with feathering, you will be in need of a a brush nib. This comes as standard on Copic Ciaos and Copic Sketches. Alternatives to Copic markers have their own options available too. - Source: Internet
- Using the lighter alcohol marker, touch its tip to the darker pen. Start coloring from the darker side of your image, away and into the lighter side. The dark ink you picked up with disperse first, bringing in the light tones underneath. - Source: Internet
- If you are looking to blend pens which don’t work on a natural gradient from light to dark (or vice versa) there’s nothing stopping you. The key is to make sure you are getting smooth coverage and giving enough attention to the transitions. This works if you are running across a spectrum at a similar level or doing dark to light to dark (for instance). Alcohol markers are designed to blend, so there is no right or wrong order. - Source: Internet
- You will need a palette for this, anything with a non-porous surface will do. While the non-porous surface will help keep your inks wet, the alcohol will still be evaporating. This isn’t too much of a concern though, as your colorless blender will make it wet again. This method allows you to use some basic techniques from standard painting to mix new colors and blend between them. - Source: Internet
- Add your darkest tones only to the area you want to appear darkest on your image. Overlapping with the darkest color, add the next lightest tone. That overlap should be as big as you want the blending to be. Repeat however many times you like with lighter and lighter tones. Again, the size of your overlap will determine the size and smoothness of the blend. - Source: Internet
- While feathering will achieve a blend of colors, the blend will look more sketchy than the smooth blend other techniques will get for you. This is good if you are going for a more textured finish. Experiment a but before deciding if it is right for your work. A mix of standard and feathered blending can add real depth to a picture. - Source: Internet
- Apply the colors you are looking to work with to your nonporous surface. You will want them in distinct patches that won’t flow into each other. You will also need some working space on the surface. Pick up color on your colorless blender and apply to the image. Alternatively, combine colors on the palette using the colorless blender and then apply to image. - Source: Internet
- This is one of the most pleasing approaches to blending, great for small detail where you need a sharp blend from one color to another. It’s particularly good for tones that don’t share tonal properties. It allows the mixing of two colors, but no more. It is ideal for small areas of great detail, becuase reloading the darker ink onto the lighter nib can become repetitive pretty quickly. - Source: Internet
- Ideally for the dark to light method, your paper will be designed for use with alcohol markers. Anything too absorbant or thin will not stand up to the the agitation and saturation. We’ve had a look at sketchbooks designed to be used with inks and pencils. - Source: Internet
- Completely fill the area with your lightest tone. Layer on the next darkest tone, covering only the area you want to be that tone. Repeat until your darkest tone has been applied. Work back, lightest to darkest tones, to help soften the blend in the overlap. - Source: Internet
- It is possible to use both alcohol and water based markers in the same piece of work, but the best bet is to separate out their use. Get the bulk of your work done using the alcohol markers (you will likely get the better, smoother coloring through these anyway). Once properly dry, you can then choose to use water based markers on top. Don’t do it the other way around, or your alcohol suspension will pick up pigment from the water based markers in ways you don’t want. - Source: Internet
- The key (most of the time) to blend with alcohol markers is the speed with which you can move from pen to pen. You don’t want your first pass drying out before the next colour comes in to play. With particles of color suspended in the fluid, they will move freely and combine. With the color set on the page, there’s little chance of it moving and providing that magical blend. - Source: Internet
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